The Renaissance of the Vocal Art a Practical Study of Vitality Vitalized Energ
The Renaissance of the Vocal Art a Practical Study of Vitality Vitalized Energ
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In our eReader you can find the full English version of the book. Read The Renaissance of the Vocal Art a Practical Study of Vitality Vitalized Energ Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Renaissance of the Vocal Art a Practical Study of Vitality Vitalized Energ
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To quickly assess the difficulty of the text, read a short excerpt:
The movement is from the hips up. The entire body expands easily and freely by letting go all contraction of muscle. Do not first lift, and after lifting expand, and then finally try to let go, as is the habit of many ; but lift, and when lifting expand, and when lifting and expanding let go as directed. Three thoughts in one movement three movements in one lifting, expanding, and letting go simultaneously as one movement, which in fact it must finally become. This is the only way in which it i...s possible to secure all true conditions of tone.
With this thought in mind, and having tried the movement without singing, sing the above exercise. Start from repose, as described, and by using the hands and body in a free, flexible man- 64 The Renaissance of the Vocal Art.
ner, move to what you might think should be the level of the first tone. Just when you reach the level of the first tone let the voice sing. Move up with the arpeggio to the highest note, using hands, body, and voice with free, flexible action ; then move body and hands with the voice down to the lowest note of the arpeggio ; when the last tone is sung go into a position of repose.
What to read after The Renaissance of the Vocal Art a Practical Study of Vitality Vitalized Energ?
You can find similar books in the "Read Also" column, or choose other free books by Edmund John Myer to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The movement is from the hips up. The entire body expands easily and freely by letting go all contraction of muscle. Do not first lift, and after lifting expand, and then finally try to let go, as is the habit of many ; but lift, and when lifting expand, and when lifting and expanding let go as directed. Three thoughts in one movement three movements in one lifting, expanding, and letting go simultaneously as one movement, which in fact it must finally become. This is the only way in which it i...s possible to secure all true conditions of tone.
With this thought in mind, and having tried the movement without singing, sing the above exercise. Start from repose, as described, and by using the hands and body in a free, flexible man- 64 The Renaissance of the Vocal Art.
ner, move to what you might think should be the level of the first tone. Just when you reach the level of the first tone let the voice sing. Move up with the arpeggio to the highest note, using hands, body, and voice with free, flexible action ; then move body and hands with the voice down to the lowest note of the arpeggio ; when the last tone is sung go into a position of repose.
What to read after The Renaissance of the Vocal Art a Practical Study of Vitality Vitalized Energ?
You can find similar books in the "Read Also" column, or choose other free books by Edmund John Myer to read onlineMoreLess
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