The Sources of Keyboard Music in England

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In addition Philips has made a " coloured " transcription of a madrigal for a single voice with continued bass, by Julio Romano, 2 who is identical with Giulio Caccini. The piece 1 The three parts of the madrigal Tirsi, by L. Marenzio (Fitzw. V. B. , i. , pp. 280, 283, 286) ; Fece da voi a 6. (Fitzw. V. B. , i. , p. 288) ; Chi fara fede nl cielo, by Alessandro. Striggio (i. , p. 312); Bonjour mon cueuy, by Orlando (i. , p. 347, dated 1602); Margott Laborez, by Orlando (i. , p. 332, dated 1605);... Le Rossignuol (by Orlando, i. , p. 346, dated 1595). Mr. Barclay Squire states (Grove, Dictionary, 1907 edition) under Philips, that "the curious volume of mechanical devices which the celebrated engineer Salomon de Caus published in 1615, under the title Les Raisoiis des forces mmtvantes, contains part of a Fantasia by Philips (for a barrel-organ turned by water), on Alessandro Striggio's five-part madrigal, Chi fara fed' al del. " This is evidently the one of which the Fitziv. V . B. Contains a transcription for the keyboard.

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