The Subjective View of Landscape Painting With Special Reference to J H Weiss
The Subjective View of Landscape Painting With Special Reference to J H Weiss
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In our eReader you can find the full English version of the book. Read The Subjective View of Landscape Painting With Special Reference to J H Weiss Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Subjective View of Landscape Painting With Special Reference to J H Weiss
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To quickly assess the difficulty of the text, read a short excerpt:
In truth, it is not a fragment of man that is involved in aesthetic judgments, but the whole man ; and, therefore, we may be sure that a sup- posed work of art, if it offends morals and reason, yes, if it do not contribute to morality and rationality, is bad art, and in the long run will not please. And we can see the real significance of the cry, 'Art for art's sake. " It is quite legitimate to abstract this aspect of experience from the reason and the will, and consider it in its totality apa...rt from them. And yet we can be very sure that a work of art, if it is to appeal to the complete man, and not to an abstraction substituted for man, cannot continue to please if it shock the ideals of the good and the true. " A Bright Day Evening Reflections SUBJECTIVE LANDSCAPE PAINTING 45 use the language they have learned, to render in proper manner the big things in nature and in art as they appear to the sympathetic imagination of the artist. Possessed by this idea their work grows broader and broader, though to the beholders apparently more simple, through the perfect mastery of the subject.
What to read after The Subjective View of Landscape Painting With Special Reference to J H Weiss?
You can find similar books in the "Read Also" column, or choose other free books by Edward Black Greenshields to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In truth, it is not a fragment of man that is involved in aesthetic judgments, but the whole man ; and, therefore, we may be sure that a sup- posed work of art, if it offends morals and reason, yes, if it do not contribute to morality and rationality, is bad art, and in the long run will not please. And we can see the real significance of the cry, 'Art for art's sake. " It is quite legitimate to abstract this aspect of experience from the reason and the will, and consider it in its totality apa...rt from them. And yet we can be very sure that a work of art, if it is to appeal to the complete man, and not to an abstraction substituted for man, cannot continue to please if it shock the ideals of the good and the true. " A Bright Day Evening Reflections SUBJECTIVE LANDSCAPE PAINTING 45 use the language they have learned, to render in proper manner the big things in nature and in art as they appear to the sympathetic imagination of the artist. Possessed by this idea their work grows broader and broader, though to the beholders apparently more simple, through the perfect mastery of the subject.
What to read after The Subjective View of Landscape Painting With Special Reference to J H Weiss?
You can find similar books in the "Read Also" column, or choose other free books by Edward Black Greenshields to read onlineMoreLess
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