The Tapestried Chamber, And Death of the Laird's Jock
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Reynolds, editor of The Keepsake of 1828, leaves no occasion for apreface. ] AUGUST 1831.
TO THE EDITOR OF THE KEEPSAKE.
You have asked me, sir, to point out a subject for the pencil, and Ifeel the difficulty of complying with your request, although I am notcertainly unaccustomed to literary composition, or a total stranger tothe stores of history and tradition, which afford the best copies forthe painter's art. But although SICUT PICTURA POESIS is an ancient andundisputed axiom--although poetr...y and painting both address themselvesto the same object of exciting the human imagination, by presenting toit pleasing or sublime images of ideal scenes--yet the one conveyingitself through the ears to the understanding, and the other applyingitself only to the eyes, the subjects which are best suited to the bardor tale-teller are often totally unfit for painting, where the artistmust present in a single glance all that his art has power to tell us. The artist can neither recapitulate the past nor intimate the future.
What to read after The Tapestried Chamber, And Death of the Laird's Jock?
You can find similar books in the "Read Also" column, or choose other free books by Scott, Walter, Sir, 1771-1832 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Reynolds, editor of The Keepsake of 1828, leaves no occasion for apreface. ] AUGUST 1831.
TO THE EDITOR OF THE KEEPSAKE.
You have asked me, sir, to point out a subject for the pencil, and Ifeel the difficulty of complying with your request, although I am notcertainly unaccustomed to literary composition, or a total stranger tothe stores of history and tradition, which afford the best copies forthe painter's art. But although SICUT PICTURA POESIS is an ancient andundisputed axiom--although poetr...y and painting both address themselvesto the same object of exciting the human imagination, by presenting toit pleasing or sublime images of ideal scenes--yet the one conveyingitself through the ears to the understanding, and the other applyingitself only to the eyes, the subjects which are best suited to the bardor tale-teller are often totally unfit for painting, where the artistmust present in a single glance all that his art has power to tell us. The artist can neither recapitulate the past nor intimate the future.
What to read after The Tapestried Chamber, And Death of the Laird's Jock?
You can find similar books in the "Read Also" column, or choose other free books by Scott, Walter, Sir, 1771-1832 to read onlineMoreLess
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