The Theory of Music : As Applied to the Teaching And Practice of Voice And Instruments
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Amonof the dances which entered into the earliest suites the following were the most prominent : TJie Chaconne. This dance is generally in triple rhythm, although 4-4 and 2-4-chaconnes are in exist- THEOEY OF MUSIC. 137 ence. It almost always begins on the first beat of the measure, is generally major, and often slow in tempo.
Tlie Sarahande, Triple rhythm. This is always dignified and stately in its character. It was adopted as the third movement in the best suites, and it orig- inated in a Sp...anish religious dance.
The C our ante. Triple rhythm. Its name is de- rived from the French word "courir" (to run), and its characteristic is a rapid, running style. In the suites of Bach, and other strict composers, it is the second movement.
The Passacaglia, Triple rh}i:hm. Kather bom- bastic in character. It very closely resembles the chaconne, but is more generally minor than the latter.
The Mi7iuet. Triple rhythm, and of slow tempo as a dance, but it has been so freely treated by the classical composers that its tempo is very often rapid and dashing.
What to read after The Theory of Music : As Applied to the Teaching And Practice of Voice And Instruments?
You can find similar books in the "Read Also" column, or choose other free books by Elson, Louis Charles, 1848-1920 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Amonof the dances which entered into the earliest suites the following were the most prominent : TJie Chaconne. This dance is generally in triple rhythm, although 4-4 and 2-4-chaconnes are in exist- THEOEY OF MUSIC. 137 ence. It almost always begins on the first beat of the measure, is generally major, and often slow in tempo.
Tlie Sarahande, Triple rhythm. This is always dignified and stately in its character. It was adopted as the third movement in the best suites, and it orig- inated in a Sp...anish religious dance.
The C our ante. Triple rhythm. Its name is de- rived from the French word "courir" (to run), and its characteristic is a rapid, running style. In the suites of Bach, and other strict composers, it is the second movement.
The Passacaglia, Triple rh}i:hm. Kather bom- bastic in character. It very closely resembles the chaconne, but is more generally minor than the latter.
The Mi7iuet. Triple rhythm, and of slow tempo as a dance, but it has been so freely treated by the classical composers that its tempo is very often rapid and dashing.
What to read after The Theory of Music : As Applied to the Teaching And Practice of Voice And Instruments?
You can find similar books in the "Read Also" column, or choose other free books by Elson, Louis Charles, 1848-1920 to read onlineMoreLess
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