Theory of Design : a Treatise On the Theory And Practice of Design And the Methods of Instruction Suited to Teachers, Designers, And Art-Students, And a Text-Book for Schools

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Listening to such a speaker is like riding through a pleasant country, where hill and valley, smooth meadows and rugged crags, and mountains, sweet sunshine, and somber shadows cast by passing clouds, meet the eye at every turn, as we ride over hill, through vale, over bridge and stream, through drooping willows and thick alders, under the shade of towering pine, or by mossy ledges.
So the skillful orator conducts us along the devious path of his dis- course. He is forgetful of himself ; and we
... forget him, and are alive only to the successive views he presents to our imaginations, beguiling us into sweet forgetfulness of all else. That is the highest of arts ; and CONTRAST. 67 it depends upon the law of contrast as one of its principles, in associa- tion with others of equal importance.
The effect of excessive contrast is, to present that which is ridicu- lous and out of keeping, producing unrelatedness by too wide differ- ences. It is only in moderate, co-ordinated contrast that the mind finds its truest pleasure.


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