Thirty Years' Musical Recollections

Cover Thirty Years' Musical Recollections
Thirty Years' Musical Recollections
Henry Fothergill Chorley
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> , THE YEAR 1841.
OPEBAS.
"Beatrice di Tenda," "Norma," "La Straniera." — BeUinu " Gli Oraa/' " H Matrimonio."— Ctmaro^a.
"Lucia," "Fausta,"* " Roberti Devereux,"* "Marino Faliero," " Lucrezia Borgia." — Donizetti. " Don Gio- vanni."— ilfoarar*. " D Tancredi," " Semiramide," " La Generentola," "IlBarU^" " H Turoo."— ^omnt.
^Yxncipal Singers.
Mdes. Yiardot-Garcia. Nunn. Persiani. Granchi. Lowe.* Grisi. — MM. Mario. Flayio.* De Baaeim. Tamburini.
Rubini. Lablache.
BALLETS.
"Le IMable Amoureux."*
... — " La Sylphide." — " La Gitana." — "La Magie Amoureuse." ^rtnctiral ^nntttn.
Mdes. Gay Stephan.* Cento. Taglioni.-— M. Albert.* FRENCH TBAGEDY.
MademoiseUe Bachel Feliz.
188 THE YEAR 1841.
Neither of Donizetti's new operas had any suc- cess. Not a bar of "Fausta" lives; and only a song and a duett from " Roberto Devereux " are remembered. Qiteen Elizabeth has never been for- tunate as an opera heroine : neither (by-the-way) has been Mary Stuart.
It was a matter of no common interest to be allowed to hear Cimarosa's "Gli Orazi," though the tragedy was only executed " after a fashion." But the hearing of the opera — ^when due allow- ance was afforded for all drawbacks — ^revealed the vast change which had passed over musical Drama, since that operatic setting of Comeille's play had been written.


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