The book Thirty Years' Musical Recollections was written by author Henry Fothergill Chorley Here you can read free online of Thirty Years' Musical Recollections book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Thirty Years' Musical Recollections a good or bad book?
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> , THE YEAR 1841. OPEBAS. "Beatrice di Tenda," "Norma," "La Straniera." — BeUinu " Gli Oraa/' " H Matrimonio."— Ctmaro^a. "Lucia," "Fausta,"* " Roberti Devereux,"* "Marino Faliero," " Lucrezia Borgia." — Donizetti. " Don Gio- vanni."— ilfoarar*. " D Tancredi," " Semiramide," " La Generentola," "IlBarU^" " H Turoo."— ^omnt. ^Yxncipal Singers. Mdes. Yiardot-Garcia. Nunn. Persiani. Granchi. Lowe.* Grisi. — MM. Mario. Flayio.* De Baaeim. Tamburini. Rubini. Lablache. BALLETS. "Le IMable Amoureux."*... — " La Sylphide." — " La Gitana." — "La Magie Amoureuse." ^rtnctiral ^nntttn. Mdes. Gay Stephan.* Cento. Taglioni.-— M. Albert.* FRENCH TBAGEDY. MademoiseUe Bachel Feliz. 188 THE YEAR 1841. Neither of Donizetti's new operas had any suc- cess. Not a bar of "Fausta" lives; and only a song and a duett from " Roberto Devereux " are remembered. Qiteen Elizabeth has never been for- tunate as an opera heroine : neither (by-the-way) has been Mary Stuart. It was a matter of no common interest to be allowed to hear Cimarosa's "Gli Orazi," though the tragedy was only executed " after a fashion." But the hearing of the opera — ^when due allow- ance was afforded for all drawbacks — ^revealed the vast change which had passed over musical Drama, since that operatic setting of Comeille's play had been written.
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