Three Essays : On Picturesque Beauty; On Picturesque Travel; And On Sketching Landscape : With a Poem, On Landscape Painting. to These Are Now Added Two Essays, Giving An Account of the Principles And Mode in Which the Author Executed His Own Drawings.

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There is not a rule in landfcape-painting more neglected , or that ought more to be ob- ferved, than what relates to a leading fubjecl. By the leading fubjecl we mean, what characlerizes the fcene. We often fee a landfcape, which comes under no denomination, Is it the fcenery about a ruin ? Is it a lake-fcene ? Is it a river- fcene ? No : but it is a jumble of all together. Some leading fubjecl: there- I fore is required in every landfcape, which forms it's character; and to which the painter i...s confined by rules, As fixed, and rigid as the tragic bard.
When the landfcape takes it's character from a ruin, or other object on the foreground, the dijiance introduced, is merely an ap- pendage ; and mud plainly appear to be an under-partj not interfering with the fubjecl ( I2 7 ) fubjedt of the piece. But moft commonly the fcene, or leading fubject of the pic- ture, occupies the middle diflance. In this cafe, the foreground becomes the appendage ; and without any ftriking object to attract the eye, muft plainly fhew, that it is intended only to intro- duce the leading-fubject with more ad- vantage.


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