Unfigured Harmony a Short Treatise On Modulation Harmonization of Melodies Un
Unfigured Harmony a Short Treatise On Modulation Harmonization of Melodies Un
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Consequently between the first bar and the last there should never be a full close in the original key, and not more than can be avoided the chord of the key-note in its original position. In Ex. 35 a really bad version is given of what is adequately done in Ex. 36.
Ex. 35. (Bad. ) ~ "=i Ex. 36.
(7) Beware of crowding in too many notes. A melody with semiquavers is a certain trap for the unwary. ' Thick ' writing 3 2 ELEMENTARY HARMONIZATION is always inexpert and unmusical, and is a cardinal f...ault with organists. A little attention given to writing in three parts is sure to produce a knowledge of how much may be left out : Ex. 37.
i=E : ==^L jE^E (8) If the melody halts appreciably on any note, then is the time for the accompanying parts to move (Ex. 38) ; and such movement should be interesting and melodic on its own account, not merely a succession of chords which harmonize the melody- note. Vice versa, if there is any marked movement in the melody, the accompanying parts should provide the necessary repose (Ex.
What to read after Unfigured Harmony a Short Treatise On Modulation Harmonization of Melodies Un?
You can find similar books in the "Read Also" column, or choose other free books by Percy Carter Buck to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Consequently between the first bar and the last there should never be a full close in the original key, and not more than can be avoided the chord of the key-note in its original position. In Ex. 35 a really bad version is given of what is adequately done in Ex. 36.
Ex. 35. (Bad. ) ~ "=i Ex. 36.
(7) Beware of crowding in too many notes. A melody with semiquavers is a certain trap for the unwary. ' Thick ' writing 3 2 ELEMENTARY HARMONIZATION is always inexpert and unmusical, and is a cardinal f...ault with organists. A little attention given to writing in three parts is sure to produce a knowledge of how much may be left out : Ex. 37.
i=E : ==^L jE^E (8) If the melody halts appreciably on any note, then is the time for the accompanying parts to move (Ex. 38) ; and such movement should be interesting and melodic on its own account, not merely a succession of chords which harmonize the melody- note. Vice versa, if there is any marked movement in the melody, the accompanying parts should provide the necessary repose (Ex.
What to read after Unfigured Harmony a Short Treatise On Modulation Harmonization of Melodies Un?
You can find similar books in the "Read Also" column, or choose other free books by Percy Carter Buck to read onlineMoreLess
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