Verdi: Man And Musician; His Biography With Especial Reference to His English Experiences;
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The work was a commission from the Imperial Theatre of St. Petersburg, and was produced there on the loth November 1862.
It was only a succ^s d'esHme, the Court of Russia and the Muscovite populace not being greatly moved by it. Yet it was well rendered by Mesdames Barbot and Nautier-Didiee, with Signori Tamberlik, Graziani, Debassini, and Angelini. Precisely the same fate that attended the work in the Russian capital befel it at La Scala, Milan, in 1869, as well as at the Paris Theatre Italien... seven years later.
There was not a little that was restless and novel in La Forza del Destino, which probably accounts for its cool reception from those who were ready enough to welcome another of the old and approved Verdi operas. That change of style which was, later on, to show itself LA FORZA DEL DESTINO 149 so unmistakably in A'ida, Otello, and Falstaff was beginning to possess the composer's mind. Sufficient of the new manner oozed out in La Forza del Destino for critics and analysts now to point to that opera as the work in which Verdi's Third style first begins to be traceable, and it can scarcely be sur- prising that an unprepared public failed to be impressed with the first hintings at a new style which had yet to be placed before the musical world in a matured and comprehend- able state.
What to read after Verdi: Man And Musician; His Biography With Especial Reference to His English Experiences;?
You can find similar books in the "Read Also" column, or choose other free books by Crowest, Frederick James, 1850-1927 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The work was a commission from the Imperial Theatre of St. Petersburg, and was produced there on the loth November 1862.
It was only a succ^s d'esHme, the Court of Russia and the Muscovite populace not being greatly moved by it. Yet it was well rendered by Mesdames Barbot and Nautier-Didiee, with Signori Tamberlik, Graziani, Debassini, and Angelini. Precisely the same fate that attended the work in the Russian capital befel it at La Scala, Milan, in 1869, as well as at the Paris Theatre Italien... seven years later.
There was not a little that was restless and novel in La Forza del Destino, which probably accounts for its cool reception from those who were ready enough to welcome another of the old and approved Verdi operas. That change of style which was, later on, to show itself LA FORZA DEL DESTINO 149 so unmistakably in A'ida, Otello, and Falstaff was beginning to possess the composer's mind. Sufficient of the new manner oozed out in La Forza del Destino for critics and analysts now to point to that opera as the work in which Verdi's Third style first begins to be traceable, and it can scarcely be sur- prising that an unprepared public failed to be impressed with the first hintings at a new style which had yet to be placed before the musical world in a matured and comprehend- able state.
What to read after Verdi: Man And Musician; His Biography With Especial Reference to His English Experiences;?
You can find similar books in the "Read Also" column, or choose other free books by Crowest, Frederick James, 1850-1927 to read onlineMoreLess
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