Voice Production And Analysis
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In our eReader you can find the full English version of the book. Read Voice Production And Analysis Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Voice Production And Analysis
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In articu- lation the different vowel sounds are entirely due to this variation of klanfj-t'iiit. This will be shown very clearly in the photographs with the last article.
The klang-tint of instruments is controlled in various ways, according to the method of tone production. For example, in the piano the main factors are the length and weight of the string, the hardness and shape of the hammer, the sharpness of the blow% and the distance of the point struck from the end of the string. To these... may be added the resonant qualities of the frame and sounding-board. But when the j^iano is finished, its tone, its klang-tint, is determined; the performer can do very little to change the klang-tint of a tone w ithout at the same time varying its intensity.
The enormous superiority of a good violin over a poor one lies in the resonant properties of the w^ood, and the cavity and openings. That which gives to the violin its greatest flexibility of tone, and enables it, better than any other instrument, to give voice to the feeling of the composer and performer, is the opportunity it offers the player of producing tones the most varied, from harsh discord to the sweetest melody.
What to read after Voice Production And Analysis?
You can find similar books in the "Read Also" column, or choose other free books by William Hallock to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In articu- lation the different vowel sounds are entirely due to this variation of klanfj-t'iiit. This will be shown very clearly in the photographs with the last article.
The klang-tint of instruments is controlled in various ways, according to the method of tone production. For example, in the piano the main factors are the length and weight of the string, the hardness and shape of the hammer, the sharpness of the blow% and the distance of the point struck from the end of the string. To these... may be added the resonant qualities of the frame and sounding-board. But when the j^iano is finished, its tone, its klang-tint, is determined; the performer can do very little to change the klang-tint of a tone w ithout at the same time varying its intensity.
The enormous superiority of a good violin over a poor one lies in the resonant properties of the w^ood, and the cavity and openings. That which gives to the violin its greatest flexibility of tone, and enables it, better than any other instrument, to give voice to the feeling of the composer and performer, is the opportunity it offers the player of producing tones the most varied, from harsh discord to the sweetest melody.
What to read after Voice Production And Analysis?
You can find similar books in the "Read Also" column, or choose other free books by William Hallock to read onlineMoreLess
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