Why Bells Sound Out of Tune And How to Cure Them

Cover Why Bells Sound Out of Tune And How to Cure Them
Why Bells Sound Out of Tune And How to Cure Them
Arthur Barwick Simpson
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13 good and sweet-toned, and are in much better tune with themselves than the generality of bells that I have examined. But still the same general errors are apparent. In three out of four, the nominals are a little sharper than the fundamentals, and the hum- notes decidedly sharper than the nominals. In the fourth and smallest bell, the hum-note and fundamental are practically in unison, but the nominal is notably sharper than either.
If now I have carried my readers with me so far, they will
...no longer be surprised at any difficulty they may have experienced in determining the note of any particular bell. For here we see that, in the majority of bells, we have three notes, very near to each other in pitch, though in different octaves, all struggling for the mastery, and each able — ^let me here say — under given circumstances, to assert its supremacy. Is it any won- der that even a skilled musician, if not learned in bell tones, should be in doubt as to the true note of a bell submitted to him ?

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