Winslow Homer 1836 1910 Eastman Johnson 1824 1906 Exhibition

Cover Winslow Homer 1836 1910 Eastman Johnson 1824 1906 Exhibition
Winslow Homer 1836 1910 Eastman Johnson 1824 1906 Exhibition
Fine Arts Society of San Diego Calif
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The almost abstract arrangement of different forms gives an air of detached objectivity and an awareness of design to a canvas which could have easily become a merely visual anecdote.
The atmosphere of warmth and intimacy, that marks many of John- son's interiors, is to be found also in out-of-doors scenes, as in the case of Southern Courtship (No. 1). Johnson's taste and sense of proportion is best visible in works like A Lullaby (No. 5) or Work for the Fair (No. 10), where figures and still-l
...ife are well balanced; Johnson never allows his love of detail to be overpowering.
Johnson's painting cannot always be dated on purely stylistic grounds. There is a difference between his earlier tightly knit, delineated and de- scriptive compositions, like Southern Courtship (No. 1), and the more panoramic views of his Fryeburg series, (No. 14) ; there is a difference between his handling of light and paint in the warm, sunny Courtyard (No. 12), the dark shadows, reminiscent of the Dutch of About Right (No.


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