Winslow Homer 1836 1910 Eastman Johnson 1824 1906 Exhibition
Winslow Homer 1836 1910 Eastman Johnson 1824 1906 Exhibition
Fine Arts Society of San Diego Calif
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The almost abstract arrangement of different forms gives an air of detached objectivity and an awareness of design to a canvas which could have easily become a merely visual anecdote. The atmosphere of warmth and intimacy, that marks many of John- son's interiors, is to be found also in out-of-doors scenes, as in the case of Southern Courtship (No. 1). Johnson's taste and sense of proportion is best visible in works like A Lullaby (No. 5) or Work for the Fair (No. 10), where figures and still-l...ife are well balanced; Johnson never allows his love of detail to be overpowering. Johnson's painting cannot always be dated on purely stylistic grounds. There is a difference between his earlier tightly knit, delineated and de- scriptive compositions, like Southern Courtship (No. 1), and the more panoramic views of his Fryeburg series, (No. 14) ; there is a difference between his handling of light and paint in the warm, sunny Courtyard (No. 12), the dark shadows, reminiscent of the Dutch of About Right (No.
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