Within the Moral Eye: Peckinpah's Art of Visual Narration

Cover Within the Moral Eye: Peckinpah's Art of Visual Narration
Within the Moral Eye: Peckinpah's Art of Visual Narration
Marshall, Susan Elaine
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Passing townsfolk, however, squelch that energy, and the dance, with their critical looks. Despite his initial success with the banker. Cable still has to narrate a life that conjoins imaginative and moral value with social enterprise.
Furthermore, Cable himself tends to have an abstract sense of value, as is evidenced in his entrepeneural activities . He, too, in the Dead Dog episode measures his value by the money in hand; and what is more, he is coming to see Hildy in terms of monetary value
.... During his entrances and exits from the three Dead Dog establishments, Cable spots Hildy across the street as she ushers successive gentlemen callers either into or out of what appear to be her living quarters.
95 The first time, a man follows her up the stairs and through the door.
The second time, Hildy escorts the first man down the stairs, then walks back up with a second man. The third time — following Cable's exit from the bank — he sees her standing in the doorway watching the second man leave.


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