Wonders in Acoustics : Or, the Phenomena of Sound
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In our eReader you can find the full English version of the book. Read Wonders in Acoustics : Or, the Phenomena of Sound Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Wonders in Acoustics : Or, the Phenomena of Sound
What reading level is Wonders in Acoustics : Or, the Phenomena of Sound book?
To quickly assess the difficulty of the text, read a short excerpt:
4: 9 Doh — mij tenth .
2 : S Doh— faj .
eleventh . . 3: 8 Doh — solj twelfth I : 3 • * * * • Doh — dohj : .
double octa re . 1:4 * * * * * Doh — ^mi.
seventeenth I : S &c.
&c &c.
The names of the intervals simply recall the position of the notes in the scale. The twelfth, the double octave, and the seventeenth make perfect harmonies, which fact l6o ACOUSTICS.
presupposes the simplicity of the relations which characterise them ; it is needless to particularise them further, since they are but th...e counterparts of the fifth, the octave, and the third.
Associating the notes of the scale by twos, we do not always obtain a harmony. A suitable choice must be made.
But even discords are important in music. The interval from doh to re, called a major tone ; the interval from re to mi, called a minor tone ; the intervals mi — fa and si — dohj, known as diatonic semitones, are very characteristic discords.
The scale just explained does not suppose any know- ledge of the absolute pitch of the notes ; it merely depends upon the relationship they bear one to another.
What to read after Wonders in Acoustics : Or, the Phenomena of Sound?
You can find similar books in the "Read Also" column, or choose other free books by Radau, Rodolphe, 1835-1911 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
4: 9 Doh — mij tenth .
2 : S Doh— faj .
eleventh . . 3: 8 Doh — solj twelfth I : 3 • * * * • Doh — dohj : .
double octa re . 1:4 * * * * * Doh — ^mi.
seventeenth I : S &c.
&c &c.
The names of the intervals simply recall the position of the notes in the scale. The twelfth, the double octave, and the seventeenth make perfect harmonies, which fact l6o ACOUSTICS.
presupposes the simplicity of the relations which characterise them ; it is needless to particularise them further, since they are but th...e counterparts of the fifth, the octave, and the third.
Associating the notes of the scale by twos, we do not always obtain a harmony. A suitable choice must be made.
But even discords are important in music. The interval from doh to re, called a major tone ; the interval from re to mi, called a minor tone ; the intervals mi — fa and si — dohj, known as diatonic semitones, are very characteristic discords.
The scale just explained does not suppose any know- ledge of the absolute pitch of the notes ; it merely depends upon the relationship they bear one to another.
What to read after Wonders in Acoustics : Or, the Phenomena of Sound?
You can find similar books in the "Read Also" column, or choose other free books by Radau, Rodolphe, 1835-1911 to read onlineMoreLess
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